Too Short – Life Is… Too $hort

Description

“Life Is… Too $hort,” released in 1988 by Too Short, is a seminal album in the annals of hip-hop, marking a significant moment in the genre’s evolution. This release, under the labels Dangerous Music and RCA, encapsulates a raw and unfiltered snapshot of urban life through the lens of hip-hop.

The album, a mix of vivid storytelling and rhythmic prowess, begins with the title track, “Life Is… Too Short,” setting a tone of gritty realism mixed with an almost celebratory embrace of life’s fleeting nature. Clocking in at 4:34, this opening track lays down the thematic foundation for the entire album: a candid exploration of the complexities of urban existence.

“Rhymes” and “I Ain’t Trippin'” follow, with the latter stretching over 6 minutes of lyrical dexterity, showcasing Too Short’s ability to weave narratives that are both relatable and deeply personal. The track “Nobody Does It Better,” extending to 6:15, continues this trend, offering a glimpse into the artist’s perspective on his own place within the hip-hop landscape.

A significant feature of the album is its deep connection to Oakland, Too Short’s hometown. The track “Oakland,” featuring backing vocals from Helen Kim and Sharlena Brooks, is not just an ode to the city but also a portrait of its vibrant, if challenging, environment. This local focus is further expanded in “City Of Dope,” which runs for 5:32 and delves into the darker aspects of urban living.

Collaborations on the album, such as “Don’t Fight The Feelin'” featuring Danger Zone and Rappin’ 4-Tay, and “Pimp The Ho,” with backing vocals from Janna Thomas and Jeanette Wright, add layers to the album, bringing in diverse voices and styles. These collaborations contribute to the album’s rich tapestry of sound and narrative.

The production, handled by Todd Shaw with co-producers Al Eaton and Randy Austin, brings a cohesive yet varied sound to the album. Their work, combined with contributions from key players such as Eaton on keyboards and guitar, and Shaw’s own writing, results in an album that is both polished and raw, professional yet personal.

Mastered at Fantasy Studios and featuring graphics by Mark Wholey, “Life Is… Too $hort” is not just a collection of tracks but a well-crafted piece of art. Victor Hall’s photography adds a visual dimension to the album, encapsulating its themes and mood.

In sum, “Life Is… Too $hort” is a cornerstone of hip-hop, a work that not only defined an era but also set a precedent for storytelling and production in the genre. Its influence is felt not just in the music but in the way it captures and communicates the complexities of urban life, making it a timeless piece in the world of hip-hop.